member directory


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New HGSCEA members are automatically added to the directory. If you do not wish to be listed or need to submit corrections, please write to

Hannah Abdullah hannah_abdullah [at]
German art and culture post-1945 and contemporary German art

Esra Akcan
Associate Professor of Architectural History, School of Art, Architecture, and Planning, Cornell University
German-Turkish exchanges in architecture; contemporary architectural theory

Samuel Albert sdalbert[at]
Central European/Hapsburg modern architecture and urbanism

Anthony Alofsin
Roland Roessner Centennial Professor of Architecture, University of Texas at Austin
19th & 20th c. Central European architecture

Nina Amstutz
Assistant Professor, University of Oregon
German art of the 18th to the early 20th centuries, especially Romanticism

Jenny Anger
Dept. of Art, Grinnell College, 1108 Park St., Grinnell, IA 52240
20th c. German art/theory

James H. Arthur
Max Beckmann, German art 1900-1914

Ayres, Sara
Kingston University (UK)
early twentieth-century Viennese painting and interiors

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Vivian Endicott Barnett
Freelance Curator
Kandinsky; Blaue Reiter; Blue Four

Stephanie Barron
Los Angeles County Museum of Art, 5905 Wilshire Blvd., Los Angeles, CA 90036
German art, 1920s-1930s

Brigid Barton
Santa Clara University, 2081 Webster Street, Palo Alto, CA 94301
19th-20th c. German painting, especially Neue Sachlichkeit

Lin Barton
Independent Scholar

Priyanka Basu
Art History, Humanities Division, University of Minnesota, Morris
19th- and 20th-century German Art, History of Art History, Aesthetic Theory, Applied Arts

Anja Baumhoff
History of Art and Design at Hochschule Hannover
Art-, design and cultural history of 19th and 20th c. Germany; Bauhaus; gender history and theory

Jennifer Beetem
Univ. of Washington-Seattle works on paper, prints, Kunstzeitschrifta late 19th-early 20th c. in German-speaking countries

Shulamith Behr
Courtauld Institute of Art, University of London, Somerset House, Strand, London WC2R ORN, United Kingdom
German 20th c.& Scandinavian modernism

Gretchen Bender

Timothy Benson
Los Angeles County Museum of Art, Robert Gore Rifkind Center for German Expressionist Studies, 5905 Wilshire Blvd., Los Angeles CA 90036
German, Czech, Hungarian and Polish modernism 1900-1930

Benjamin Benus
Loyola University New Orleans
Modern Art in Germany and Central Europe

Joyce Berczik Corbett

Patricia Berman
Department of Art, Wellesley College, Wellesley, Mass. 02181
Scandinavia, especially Norway, U.S. and Germany, especially turn-of-century

Margaret B. Betz
Savanah College of Art & Design, 125 Arnold Hall, 1810 Bull Street, PO Box 3146, Savannah, GA 31402-3146
Russian and Polish Art, 19th and 20th c. & spirituality

Ann Vollman Bible
German modernism

Susanneh Bieber
College of Architecture, Texas A&M University
Modern and contemporary art and architecture; artistic exchanges between the US and Germany; museum studies, visual and material culture

Rosemarie Bletter
Ph.D. Program in Art History, City University Graduate Center
365 Fifth Ave., New York, New York 10016-4309
Early 20th c. German architecture and design; Spanish turn of the century and American 20th c.

Sara Blaylock
Assistant Professor, University of Minnesota, Duluth
East German, Cold War culture, Central & Eastern Europe

Frances Blythe
Ph.D. Candidate, University of Edinburgh,
Twentieth-century German art, architecture & literature; national identity & belonging; landscape in German history; Romanticism & its resonances

Oliver Botar
University of Manitoba, 190 Lenore St.
Winnipeg, Manitoba, Canada R3G 2C5
Biocentric theories of art; early 20th c. avant-garde culture

Annie Bourneuf
School of the Art Institute of Chicago
German Modernism, Dada, August Sander, Paul Klee, media history and theory of art

Kathryn Brush
Department of Visual Arts, University of Western Ontario, London, Ontario, CANADA, N6A 587
German medieval art and architecture; historiography

Anna Brzyski
Department of Art, University of Kentucky, 207 Fine Arts Building, Lexington, KY 40506-0022
Polish 19th & early 20th c. artworld; discourse & institutional analysis; nationalism & modernism; value in art & art history

Barbara C. Buenger
University of Wisconsin – Madison
Modern European, German, & Italian Art, 19th centuries-present; Max Beckmann; Beckmann in Berlin, 1933-1937; Modernism, Fascism, Totalitarianism in Art; German Expressionist Prints; World War I in Modern Art and Material Culture

Nora Butkovich

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Jean Marie Carey
University of Otago, New Zealand
German modernism, Expressionism (Der Blaue Reiter, Franz Marc, August Macke, Animal Studies), 20th century Art; The History of Art History

Bradley Cavallo
Temple University
Early Modern sexual aesthetics, Materiality

Peter Chametzky
School of Visual Art and Design, University of South Carolina, 1615 Senate Street, Columbia, SC 29208

Peter Christensen
Assistant Professor in the Department of Art and Art History, University of Rochester
Architectural History of Germany and Ottoman Empire, Critical Digital Humanities 

Jay Clarke
Dept. of Prints & Drawings, Art Institute of Chicago, 111 S. Michigan Ave., Chicago, IL 60603
19th & 20th c. German & Norwegian art

MaryKate Cleary
New York University
20th century German art and architecture; cultural and national identity; art in the Nazi-era; exiles studies; History of Collection; the historic art market

John Collins
National Gallery of Canada
Mailing address: 380 Sussex Drive, POB 427, Station A, Ottawa, Ontario K1N 9N4, Canada

Shannon Connelly
Lebanese American University
Dada, Neue Sachlichkeit, Regionalism and Transatlantic Visual Cultures

Andrea Crane
Senior Specialist, Phillips, de Pury & Luxembourg, 60 Gramercy Park North, New York, NY 10010

Elizabeth Cronin
Photography Collection, New York Public Library
Austrian and German Photography

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Stephanie D’Alessandro
Art Institute of Chicago, 111 South Michigan Ave., Chicago, IL 60603
19th & 20th c. German art

Caitlin Dalton
Boston University
Twentieth-Century German Print Culture

Jessica Davis
Adjunct Instructor of Art History, Tech Art History Society, Texas
Interwar period in France and Germany

Marion Deshmukh
Dept of History and Art History, George Mason University, 3G1, Fairfax, VA 22030
German Impressionism; Max Lieberman; post-1945 arts policies

Marco Di Nallo

Dorothea Dietrich
20th c. Germany; especially Weimar & 1960s

Marina Dmitrieva-Einhorn
Center for History & Culture of East Central Europe, Leipzig, Germany
modern art in Central & Eastern Europe; Renaissance in Central Europe

Elizabeth Doe
PhD Student, University of Virginia
19th and early 2oth-century French, American, and Scandinavian art

Charlotte Douglas
New York Universary, 125 St. Marks Place, Staten Island, NY 10301
Late 19th and early 20th century Russian and E. European art; Modernism; Textiles; History of science and technology; World War I; British-Russian connections; Outer space.

Magdalena Droste
LS Kunstgeschichte, Postfach 101344, 03013 Cottbus, GERMANY
Bauhaus; design history; gender studies; 19th & 20th c. art

Erin Dusza
PhD Student, Indiana University,
Czech Art, late 19th century-early 20th century, art nouveau, folk art, identity, nationalism, worlds fair pavilions.

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Sabine Eckmann
Director of the Mildred Lane Kemper Museum at Washington University in St. Louis
modern and contemporary German art, art and politics, new media, art theory

April Eisman
Iowa State University, College of Design, Ames, IA 50010
East German (GDR) painting and its reception; art & politics since 1945

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Daniela Fabricus

Michelle Facos
Indiana University, Dept. of Art History, FA 132, Bloomington, IN 47405
19th & 20th c. Sweden and Germany; cultural identity; Symbolism

Lisa de la Mare Farber
Pace University
Renaissance & Reformation in Northern Europe

Lori Felton
Bryn Mawr
German and Austrian modernist art

Eva Forgacs
Art Center College of Design, Pasadena
Central European & Russian Avant-Garde; contemporary art

Françoise Forster-Hahnn
Distinguished Professor Emerita, Department of the History of Art University of California, Riverside, CA
German & European cultural history

Peter H. Fox
Tulane University, Art, Architecture and Design, 1880-1945

Jamie Fredrick
Temple University
German Expressionist Painting

Susan Funkenstein
University of Pittsburgh
Weimar visual culture; dance history; gender studies

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Gediminas Gasparavicius
Myers School of Art, University of Akron, 150 E. Exchange St., Akron, OH 44325-7801
East European art, participatory and performance art, art and politics

Curt Germundson
Minnesota State Univ at Mankato, Art Dept.
Modern art; Dada; Constructivism

Lauren Graber
Getty Research Institute, Los Angeles
German and European modern and contemporary art; German politics; sound art and electronic music

Kerry Greaves
Postdoctoral Research Fellow,  Dept. of Arts and Cultural Studies, University of Copenhagen
Scandinavia, modernisms, exhibitions, collectives

Cordula Grewe

Beverly K. Grindstaff
Associate Professor, School of Art and Design, San José State University, One Washington Square, ART 116 San Jose, CA 95192-0089
19th & 20th c. design history, art history & critical theory

Tomasz Grusiecki
Assistant Professor of Art History, Boise State University
16th & 17th c. central European art; global art histories; cultural entanglement; art history from below; early modern power dynamics; centers & peripheries; European perceptions of the wider world; urban culture

Carolyn Guile 
Associate Professor of Art and Art History, Colgate University                     East Central European Art and Architecture, Poland, Austrian Galacia 16th-20th cent.

Ksenya Gurshtein
2015-6 NEH Fellow

Curatorial Assistant, Robert Gore Rifkind Center for German Expressionist Studies, LACMA
Postwar German art

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Thomas O. Haakenson
Associate Professor of Visual Studies and Critical Studies, California College of the Arts
German visual culture since 19th century, History of science and technology, Sexuality and gender

Amy Kelly Hamlin
St. Catherine University
Twentieth-Century German and American art and visual culture, historiography, contemporary critical theory, and Max Beckmann

Lauren Hanson
Doctoral Candidate, The University of Texas at Austin
20th-century German art and culture; exhibition practices; transatlantic artistic exchanges

Ph.D. Lecturer in Art History, University of East Anglia, UK
Medieval art, visual culture, and medical history

Freyja Hartzell
Yale University
19th and 20th century European art and architecture; late 19th and early 20th century German applied arts

Charles Haxthausen
Robert Sterling Clark Professor of Art History Emeritus Williams College, 441 Hopper Road, Williamstown, MA 01267-3133
German 20th Century Art, Film, and Art Criticism, Sol LeWitt

Charlotte Healy
Museum Research Consortium Fellow, Department of Painting & Sculpture, The Museum of Modern Art & The Institute of Fine Arts, NYU, Paul Klee, Bauhaus, Art of Weimar Germany

Jürgen Heinrichs
Seton Hall University, Art and Music, 400 South Orange Ave, South Orange, NJ 07079
Modern and contemporary German and American art and visual culture; African American art, history of art and medicine

Reinhold Heller
University of Chicago (Emeritus)
German and Scandinavian art, 19th & 20th c.

Rachel Herschman
Curatorial Assistant, NYU, Institute for the Study of the Ancient World
Avant-Garde and Propaganda Puppetry in Early 20th Century Germany; Modernist reception of ancient art

Christiane Hertel

Vendula Hnidkova

Keith Holz
Western Illinois University
German art in Germany, France, CSR, England, 1890s-1960s; exile from Nazi Germany; critical theory; Holocaust commemoration

Rebecca Houze
Northern Illinois University
19th & 20th c.; Vienna; history of design & decorative arts

Ivana Horacek
University of British Columbia
Collecting, Rudolf II, gifts

Karla Huebner
University of Pittsburgh
European Modernism, Czech Surrealism and avant-garde,

Stephanie Lebas Huber
Student, CUNY Graduate Center

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Toshino Iguchi
Saitama University, Faculty of Liberal Arts
Hungarian and Czech avant garde art and design, interwar period

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Michael James
Ph.D. student, Binghamton University
Danish Golden Age painting, Scandinavian landscape art

Rachel Jans
Assistant Curator, San Francisco Museum of Modern Art
Postwar German art

Adam Jasienski
Department of History of Art & Architecture, Harvard University
Habsburg studies, portraiture, perceptions of Ottoman culture, Spain & Latin America in the Golden Age

Kristina Jõekalda
Institute of Art History and Visual Culture, Estonian Academy of Arts, Tallinn
Eastern European, Baltic German and Estonian historiography, history of art history and heritage preservation, cultural identity, 19th-20th century

Cara Jordan
Provost’s Fellow in the Arts, Center for the Humanities, City University of New York Graduate Center
Joseph Beuys, postwar German art

Sharon Jordan
Lehman College, City University of New York
German and Austrian Expressionism, 20th Century German art, Nietzsche

Frauke V. Josenhans fvjosenhans [@]

Independent Scholar and Curator
19th & 20th century German art; Société Anonyme Collection; Cultural transfer between Europe and the USA; Exile studies in the visual arts

Anna Jozefacka
Hunter College, City University of New York
19th to 21st-century art, architecture and urban design in Poland and other countries in Central and Eastern Europe

Jacqueline Jung
Associate Professor, Yale University
Gothic art and architecture, medieval religion and liturgy

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Jennifer Katanic
CUNY Grad. Center
Early Czech modernism

Katrina Katzenbach
German Art History, modernism, Performance Art History, Intellectual History

Klara Kemp-Welch
Lecturer, Courtauld Institute of Art
Central European Modern and Contemporary Art

Dara Kiese
Parsons School of Design
Bauhaus, modern design and architecture history

Lidia Klein
Duke University

Adrienne Kochman
Indiana University NW
19th-20th c. Germany; Russian Empire; Ukraine

Raphael Koenig
Ph.D. candidate, Comp. Lit., Harvard University
French, German, and Yiddish Modernism (Literature, Visual Culture, Art History)

Kornbluth Photography
early Medieval art, esp. Merovingian and Carolingian

Juliet Koss juliet.koss[at]
Gabrielle Jungels-Winkler Professor of the History of Architecture and Art; Chair, Department of Art History
Scripps College, 1030 Columbia Ave, Claremont, CA 91711
Modern European art, architecture, and aesthetic theory, with an emphasis on Germany and the USSR

Max Koss
PhD candidate, University of Chicago
German and European 19th and 20th century art and design, magazine history, histories of collecting and display

Irena Kossowska
Copernicus University in Torun, Poland
19th and 20th century art, art theory and criticism

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Karen Lang
University of Warwick, UK
German modernism; historiography; aesthetic theory

Carolyn Loeb
Residential College in the Arts and Humanities, Michigan State University
Berlin redevelopment, civic space, public art, and housing

Sebastian Löwe
aesthetic theory, art theory, kitsch theory, discourse theory and analysis, aesthetics and politics, realism in the arts

Rose-Carol Washton Long or
CUNY Graduate Center
late 19th – 20th c. German; Russian Central European visual culture, esp. Weimar

Martyna Lukasiewicz                                    Adam Mickiewicz University of Poznan Poland Danish Art of 19th Century, Scandinavian Museology, Theory of Exhibition, Education

Megan Luke
Associate Professor, Art History, University of Southern California
modern German art, architecture, and intellectual history

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John V. Maciuika
Baruch College, CUNY, Department of Fine and Performing Arts
Modern architecture and cultural identity; urbanism; German history. Geographic Focus: Germany, Austria, Lithuania, as well as Central & Eastern Europe in general

Daniel Magilow
University of Tennessee (Knoxville)
History of Photography; Weimar Germany; Holocaust Studies; German-Jewish Studies; Film/Cinema Studies.

Luise Mahler
Leonard A. Lauder Fellow for Modern Art, 2017-19
Early twentieth century modernism, with a focus on the German-speaking world and Italy. Her research interests include the evolution of abstract art, Cubism, transnational networks, and provenance studies.

Emily Gunzburger Makas
College of Architecture, University of North Carolina at Charlotte
Central Europe/Balkans, nationalism. Bosnia-Herzegovina, urban history, architecture

Maria Makela
California College of the Arts, Visual Studies; 5212 Broadway, Oakland, CA 94618
Modern German Culture

Catharina Manchanda
Jon & Mary Shirley Curator of Modern & Contemporary Art, Seattle Art Museum
modern and contemporary art

Steven Mansbach
Dept. of Art History & Archaeology, 1211D Art/Sociology
University of Maryland, College Park, MD 24742
Central European modern art, Baltic to Balkans

Joanna Matuszak
Indiana University, Bloomington, IN
20th century Russian art, Central and Eastern European Art, women’s art, feminist art

Erin Sullivan Maynes 
Assistant Curator, Rifkind Center for German Expressionist Studies
Los Angeles County Museum of Art (LACMA)
print culture of German inflation and Notgeld, Weimar-era prints and works on paper, German prints and print culture

Barbara McCloskey
University of Pittsburgh, 104 Frick Fine Arts, Pittsburgh, PA 15620
German 20th c. art and politics; exile studies

Linda McGreevy
Old Dominion University
Critical Realism; Otto Dix; Käthe Kollwitz

Thor Mednick

Christine Mehring
Professor and Chair; Adjunct Curator, University of Chicago; Smart Museum
20th century German and European art

Claudia Mesch

Wallis Miller
Charles P. Graves Associate Professor
University of Kentucky, School of Architecture
Germany, 1750-present, exhibitions

Allison Morehead
Associate Professor
Queen’s University
Scandinavian modernisms; art and medicine; critical gender and race studies

Amanda Morrow
Student, Pratt Institute/Columbia University
18th-20th Century German and Austrian Architecture, Design, and Decorative Arts

Marsha Morton
Pratt Institute, New York
19th c. German

Eleanor F. Moseman
Colorado State University, Dept. of Art, Fort Collins, Co 80523
Early 20th Cent. Expressionism and Cubism in Central Europe

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Eelco Nagelsmit
University of Copenhagen, Denmark
Religious art and architecture in early modern Germany, France, Low Countries

Morgan Ng
Ph.D. candidate, Harvard University
Early modern art, Early modern architecture

Kristine Nielsen
Ph.D. candidate, University of Chicago
modern/contemporary European & American art; historiography & theory; iconoclasm

Peter Nisbet
Chief Curator, Ackland Art Museum
The University of North Carolina at Chapel Hill

Sydney Jane Norton
Saint Louis University
Post-1945 German, Austrian, and Swiss art, German Expressionism, Performing and Visual Arts, 1914-present

Irene Noy
The Courtauld Institute of Art
Modern and contemporary art, sound art, gender, post WWII German art

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Bibi Obler
Dept. of Fine Arts & Art History, George Washington University
Dada and Expressionism; applied arts; feminist theory

Kelli Olgren-Leblond
University of Southern California, Art Dept. (Ph.D. Candidate)
19th & 20th c. German art & architecture

Claire Orenduff-Bartos
Ph.D. candidate, CUNY Graduate Center
Polish modernism; symbolist painting and sculpture in Central Europe

Elizabeth Otto
Department of Art History, SUNY Buffalo, 601 Clemens Hall, Buffalo, NY 14260
Bauhaus, Weimar Republic, Nazi Period, Gender, Sexuality, Experimental Religions, Art and Politics

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Miriam Paeslack
Visual Studies Department, The University at Buffalo, SUNY
19th & 20th c. photography, theory, methodology

MaryClair Pappas
PhD Student, Department of Art History, Indiana University
Scandinavian Art and German Art at the fin-de-siecle

Paul Paret
Dept. of Art & Art History, University of Utah, 375 S 1530 E., Rm. 161, Salt Lake City, UT 84112-0380
20th c. art; history of sculpture; Weimar Germany

Bissera V. Pentcheva
Associate Professor, Stanford University
Byzantine, Western, Islamic Medieval Art; music, acoustics, phenomenology

Dorothy Rowe Price
University of Bristol, UK
Modern German Art; German Expressionism; Weimar culture; Neue Sachlichkeit; German avant-gardes; women artists and photographers

Emily Pugh
The Getty Research Institute
Wall-era Berlin, postwar architecture and urban planning, architecture in visual media, digital technologies in art historical research and publications

Bart Pushaw
University of Maryland
19th and 20th-century Nordic and Baltic Art, global art history

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Diane Radycki
Associate Professor and Director of Payne Galllery, Moravian College, Bethlehem, Pa. 18018
Author, Paula Modersohn-Becker: The First Modern Woman Artist, Yale Univ. Press, 2013.

Jeannette Redensek
The Josef and Anni Albers Foundation, 88 Beacon Road, Bethany, CT 06524
German architecture & urbanism

Anne Reimers 
University College London
Modern Art and Visual Culture in Germany and Austria, Art Market Studies, Art Criticism

Morgan Ridler
The Cooper Union and Westchester Community College
Bauhaus, Mural and Wall Painting, Modern Architecture

Vanessa Rocco
Assistant Professor of Art History—Modern and Contemporary; Dept of Humanities and Fine Arts; Southern New Hampshire University; 2500 North River Road, Manchester NH 03106
European photography and exhibition culture

Katherine Rochester
Affiliated Fellow, Seminar für Filmwissenschaft, Freie Universität, Berlin, Germany
German modernism, Weimar studies, experimental animation, contemporary art, film

Nicoletta Rousseva
Independant scholar
20th Century art in Eastern Europe, performance art and film in the former

Allison Rudnick
CUNY Graduate Center
Postwar German art

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Jeffrey Saletnik
Indiana University
European modernism, visual culture of the interwar years, exchange between Europe and North America

Erin Eckhold Sassin
Assistant Professor
Department of the History of Art and Architecture, Middlebury College,
housing, social reform, gender

Nicholas Sawicki
Department of Art, Architecture and Design, Lehigh University
European modernism; 19th and 20th c. Czech and Czechoslovak art

Tamara Schenkenberg
Associate Curator, Pulitzer Arts Foundation
Early Twentieth-Century German Art

Corine Schleif
Arizona State University

Kristin Schroeder
PhD candidate, University of Michigan
Weimar painting, Fashion, and Architecture

Rainer Schützeichel
Eidgenössische Technische Hochschule Zürich
German architectural theory (19th and early 20th century), traditionalist architecture

Robin Schuldenfrei
The Courtauld Institute of Art
19th and 20th c. German architecture and design

Julia Secklehner
Courtauld Institute of Art
art history/visual culture

Hannah Shaw
PhD candidate, Rutgers University
August Sander, History of Photography

Niccola Shearman
Courtauld Institute, London
Twentieth c. German/Austrian Art, Psychology of Vision

Svitlana Shiells
George Mason University
Gustav Klimt

Sherwin Simmons
Professor Emeritus of Art History, University of Oregon
20th-Century German art and design history

Suzanna B. Simor
Associate Professor, Queens College/CUNY
late middle ages, early modern iconography, Central European art and culture

Øystein Sjåstad oystein.sjastad@IFIKK.UIO.NO
Associate Professor in Art History, Department of Philosophy, Classics, History of Art and Ideas, University of Oslo
European painting 1860-1900, Christian Krohg, Semiotics, and Comics

Briana Smith
Harvard University

Postwar German Art; East German Art; Performance and Action Art

Kimberly Smith
Southwestern University, P.O. Box 770, Georgetown, TX 78627-0770
Early 20th c. Central European art; history of art history; Expressionism

Claudia Marion Stemberger
Department of Art, Art History & Visual Studies, Duke University

Pepper Stetler
Assistant Professor, Miami University
Early twentieth-century German visual culture

Paul Stirton
Associate Professor, Bard Graduate Center New York
Hungarian and Central European art and design, c. 1850-1970

Eleanor Stoltzfus
Ph.D. Candidate, University of Maryland
Central and Eastern European Art in the Twentieth-Century, Photography, Soviet Avant-Garde Theater

Elizabeth Doe Stone
PhD candidate, University of Virginia

Adrian Sudhalter
Early 20c modern art, Dada, Bauhaus, modernism’s infrastructure

Andrzej Szczerski
Institute of Art History, Jagiellon University, Krakow, Poland
Arts & Crafts Movement in Central Europe; modernism in Central Europe(art, design, and architecture); Polish art after 1945

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Gregor Taul
PhD Candidate, Lisbon Consortium
architecture and cultural identity, postwar architecture and urban planning, 20th-century Baltic art, mural and wall painting, art theory and criticism

Nathan Timpano
Assistant Professor of Art History, University of Miami
19th and 20th c. European art; German and Austrian symbolism & expressionism

Jordan Troeller
Doctoral Student, Harvard University
Bauhaus, Central European and Russian avant-gardes in Germany

Vanessa Troiano
Enhanced Chancellor’s Fellow, CUNY Graduate Center
Modern and Contemporary German and Austrian Art

Joyce Tsai
Clinical Associate Professor of Art Education, College of Education, University of Iowa
Curator, University of Iowa Museum of Art

Jasmina Tumbas
Assistant Professor, Department of Art, University at Buffalo SUNY
East European experimental art after 1945; histories and theories of performance, body and conceptual art; Contemporary Roma art; art and activism; feminism and art; modern and contemporary art and theory; politics of contemporary visual culture; critical theory

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James Van Dyke
University of Missouri-Columbia, Department of Art History & Archaeology
109 Pickard Hall
Columbia, MO 65211-1420
Tel. 573-882-9532 Fax. 573-884-5269
New Objectivity; art in the Third Reich; Holocaust representation in German art; Weimar academies; Third Reich historic preservation

Michelle Vangen
Adjunct Assistant Professor
Early 20th Century German Art, Neue Sachlichkeit

Dora Vanette
Ph.D. Student USC
History and theory of interiors with a focus on ideas of domesticity. Design and childhood. 20th century architecture and design in Central and Eastern Europe

Naomi Vaughan
Ph.D. Candidate
German Fascist aesthetics and architectural media, bureaucracy and built representation; theories of sovereignty; visual media; exhibition, presevation and demolition of fascist architecture

Brett Van Hoesen

M. Elena Versari
Carnegie Mellon University
Futurism, the international avant-garde, internationalism and nationalism in the arts, totalitarian aesthetics, architecture, design and conservation

Ilka Voermann
Renke B. and Pamela M. Thye Fellow, Busch-Reisinger Museum, Harvard University
Twentieth- and Twentyfirst-Century Art, Postwar German Art

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Christy Wahl
German Modernism

Lucy Wasensteiner
University of Bonn, Department of Art History
Modern German art; National Socialist cultural policy; art in exile after 1933; provenance research and restitution; the reception of German art in the English-speaking world

Dora Wiebenson
Editor-in-Chief, Centropa
Central European architecture & related arts

Robert Wiesenberger
Critic/Ph.D. Candidate, Yale School of Art/Columbia University
Interior German Art, Design, Architecture (Bauhaus), Postwar American Modernism

Gregory Williams
Associate Professor
History of Art & Architecture, Boston University German art since 1940, contemporary art and theory

Isabel Wünsche
School of Humanities & Social Sciences, Jacobs University, Campus Ring 1, Research IV, 28759 Bremen, Germany
European modernism and the avant-garde movements, the Bauhaus, biocentrism, abstraction

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Michael Yonan
Department of Art History and Archaeology, University of Missouri, 109 Pickard Hall Columbia, MO 65211-1420
18th c. art; Habsburg Empire; Rococo architecture

Hyewon Yoon
University of New Hampshire
European and American Modern Art & History of Photography

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