HGSCEA | Historians of German, Scandinavian and Central European Art
Call for Session Proposals for CAA 2022
The HGSCEA Board is soliciting proposals from members for its sponsored ninety-minute session at the annual conference in February 2022, taking place in Chicago. The proposed session may be on any topic having to do with German, Scandinavian, or Central European art, architecture, design, or visual culture of any period; sessions focusing on theory, criticism, or historiography are also welcome. Proposals may be geographically and chronologically tightly focused or broadly defined. They may be for complete sessions, in which case the names of participants should be included, or for sessions soliciting contributors. To see the topics of recent HGSCEA sessions, go to: http://hgscea.org/hgcea-at-caa/ and http://hgscea.org/hgcea-at-caa-archive/
The proposal should consist of a brief letter indicating interest and expertise, a description of the topic (no longer than 300 words), and a condensed c.v. (no longer than three pages). These materials should be submitted electronically to Jenny Anger (firstname.lastname@example.org) no later than February 7, 2021. Notification of the Board’s decision will be sent in March.
Historians of German, Scandinavian, and Central European Art and Architecture Emerging Scholars Essay Prize, 2020
Call for Submissions
Submissions are now being accepted for the 9th Annual HGSCEA Emerging Scholars Essay Prize, an award of $500 given annually to the author of a distinguished article or essay published the preceding year on any topic in the history of German, Scandinavian, or Central European art, architecture, design, or visual culture. Submissions, which must be in English and may be from electronic or print publications, must have a publication date of 2020; applicants must be either current Ph.D. students or have earned a Ph.D. in or after 2016 and must be members of HGSCEA at the time of application (http://hgscea.org/join-hgcea/). The recipient of the Prize (along with honorable mentions as appropriate) will be chosen by the members of the HGSCEA Board, notified in late January 2021, and publicly announced in February. Submissions should include a copy of the publication and a CV. They should be sent as electronic attachments to HGSCEA’s Secretary, Jenny Anger (email@example.com), by December 28, 2020.
Dear colleagues and friends,
It was great to see so many members of HGSCEA at CAA’s annual conference in Chicago! Our gatherings, so rich and convivial, are always one of the high points of my year.
The conference began for HGSCEA on Wednesday morning with the sponsored session, “A Foreign Eye: Photography, Women, and Global Encounters in the Twentieth Century.” HGSCEA members and the numerous others in attendance were treated to four excellent, provocative papers that addressed the complex and often fraught positions occupied by German, Swiss, and French women who worked as photographers in Japan, Palestine, Africa, and Afghanistan from the 1920s to the 1940s. On behalf of the Board, I want to congratulate the speakers – Kim Felt (National Gallery of Art, Washington, D.C.), Alyssa Bralower (University of Illinois at Urbana-Champaign), Kim Sichel (Boston University), and Elisaveta Dvorakk (Humboldt Universität, Berlin) – for their outstanding presentations. I also want to thank Jordan Troeller (Universität Graz) and Hyewon Yoon (University of New Hampshire) for putting together such a great session.
About thirty HGSCEAns gathered on a cold Thursday evening at Bistronomic, a French restaurant in the North Loop. The wine was delicious, the dinner tasty, the company warm, and the presidential speech mercifully short – at least I hope it was. (See the website for a few photos.) Most importantly, I announced the results of the 2019 Emerging Scholar’s Publication Prize. Honorable mentions went to Hannah Shaw (Rutgers University) for her essay, “The Trouble with the Censorship of August Sander’s Antlitz der Zeit,” in PhotoResearcher and to Kristin Schroeder (University of Virginia) for her article, “A New Objectivity: Fashionable Surfaces in Lotte Laserstein’s New Woman Pictures,” in The Art Bulletin. The winner was Aaron Hyman (Johns Hopkins University), for his article “The Habsburg Re-Making of the East at Schloss Schönbrunn, ‘or Things Equally Absurd’,” in The Art Bulletin. As always, jurying the competition was both a pleasure and a challenge, given the quality of the entire pool of essays and articles that were submitted.
On Friday morning, a group of members gathered at the Art Institute for a special HGSCEA event organized by Jay Clarke, Curator in the Department of Prints and Drawings. Participants had the opportunity to look closely at a selection of works on paper from Dürer and Hollar, through Kollwitz and Munch, to Kiefer and Trockel. We are fortunate to have among us generous friends and colleagues who make such things possible.
Looking ahead, I would like to encourage those who qualify to submit new publications to the Emerging Scholars Prize later this year, and to apply for Travel Stipends of up to $250 to assist with the cost of attending CAA. If anyone is working on an exhibition, symposium, or other such event, and thinks that collaboration with HGSCEA would be useful, please contact me or any other member of the Board. We take great pleasure and pride in facilitating the sponsored session, in jurying the Emerging Scholars Prize, in offering travel funds, and in arranging the members’ dinner, but are eager to support scholarship on German, Scandinavian, and Central European Art and Architecture in other ways.
To conclude, I want once again to welcome those who have joined HGSCEA’s Board – Nina Amstutz, Jenny Anger, Thor Mednick, and Nick Sawicki. I am eager to work with them and with those who are continuing – Morgan Ridler, Jeffrey Saletnik, and Adrian Sudhalter – both to maintain what HGSCEA does and to find new ways to make the organization even more appealing to graduate students and early career colleagues in particular.
At the same time, I will miss those who are leaving the Board: Kathleen Chapman, Karla Huebner, Juliet Koss, and Marsha Morton. It is especially important to recognize Marsha’s fifteen, and Juliet’s nine years of service. Their ideas and efforts were indispensable to HGSCEA’s development and success over the past decade.
I hope to see them, and every member, at CAA in New York in 2021!
Jim van Dyke
HGSCEA sponsored session, “A Foreign Eye: Photography, Women, and Global Encounters in the Twentieth Century.”
Congratulations to Nina Amstutz for winning the Novalis Gesellschaft’s prize for “innovative research on European Romanticism ” for her book Caspar David Friedrich: Nature and the Self (Yale UP, 2020). http://novalis-gesellschaft.de/index.php/106-forschungsstaette/novalispreis